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"There is a big difference between
religion (as a generic human activity) and religions (meaning the
religious traditions of particular cultures)." |
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H. Byron Earhart (ed.), Religious
Traditions of the World,
Part Three
The Academic Journey
In the study of religion, as in the study of many other human subjects,
there is a tension between focus on the generic character of the subject
and its particular historical forms. This is clear in the distinction
between "art" and "arts." Study can concentrate on the
nature of art as a generic aspect of human life and history (and like
religion, art is found in every individual life as well as the life of all
cultures). Or the study of art can focus on a specific art form, such as
painting or ceramics, and a particular culture (and historical period) –
such as early Chinese landscape painting. The same can be said for music
and languages: Each of these kinds of human expression is universally
present in all cultures, and each has its generic quality. But neither
music nor art exists "in general." The music we hear and the art
we see are quite specific: They always appear in a given culture and time
in very concrete and distinctive forms. Similar examples could be
multiplied for other aspects of human life, such as society, and politics:
We know they are found in all cultures and can make general statements
about them, but in any culture they appear in actual, discrete shapes and
forms.
This side trip into several human subjects shows us that just as there
is an important distinction between art (as a generic subject) and arts
(as specific art forms), so also there is a big difference between
religion (as a generic human activity) and religions (meaning the
religious traditions of particular cultures). In any field of study,
concern for either the generic character of a subject or its specific
forms goes beyond practical or existential involvement in the subject.
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